End of production paperwork for production management

As part of the Mind your business strand, we're offering training in in a range of areas related to business management & development, production finance, legal & business affairs, rights, and compliance, giving individuals the tools needed to thrive in their chosen field in unscripted TV. 

What end of production paperwork do the broadcasters require and why do we need to complete it? A huge part of working in production is having to complete post production paperwork.  However, there may be a dedicated person who is overseeing this paperwork, so you may not always get the opportunity to learn how to complete all the required elements.

This course will give you an overview of what paperwork needs to be completed and what information you should include, plus an overview of inputting the paperwork into Silvermouse. It will include practical examples and exercises as well as guidance and the chance to ask questions throughout. 

Who it's for

This course is aimed at production assistants, production secretaries, production management assistants, production coordinators and junior production managers who would like to learn how to complete post production paperwork for unscripted TV productions.

This course covers the end of production paperwork required as part of the contractual broadcaster requirements. It doesn't cover the paperwork that would be completed in a post-production house (e.g.,  AQCs, metadata forms etc) so is not relevant for those working for a post-production house.

The majority of the USF online short course offering is for those at early career stage and above. As a result, we generally require applicants to have at least three credits (unless working in a traditionally uncredited role). If you strongly feel you would still benefit from the training, please email USF@screenskills.com so we can assess if an exception should be made.

We are committed to ensuring all our courses are accessible to everyone. This course is designed to be as interactive as possible. Please email the above address if you have any access requirements and we will be delighted to help, be that clarifying the form such interaction is likely to take or discussing reasonable adjustments.

What it covers

The course will provide an overview of the following paperwork:

• Albert
• VO, subtitle and post production scripts
• Compliance forms
• Contributor forms/Diamond Diversity (via Silvermouse)
• Copyright forms (via Silvermouse)
• Music cue sheets (via Silvermouse)
• Ofcom forms
• Schedule of residuals
• Q and As

Trainer

Hannah Gosney is an experienced head of production/senior production manager.  She has extensive knowledge and experience of overseeing and completing post-production paperwork across a variety of unscripted genres.  

Starting out as an office runner, Hannah quickly worked her way up the ranks working on extreme sports shows and commercials to remote and hostile shoots among others, to specialise in factual, factual entertainment and natural history programmes.

Credits include The Mekong River with Sue Perkins (BBC 2), Flintoff’s Road to Nowhere (Sky One), Wild Shepherdess with Kate Humble (BBC 2), Wales: Land of the Wild (BBC 2), Veganville (BBC Three) and Wonders of the Celtic Deep (BBC 2).

Throughout her career she’s been passionate about nurturing and training crew and understands the importance of best practice in the industry. With this in mind she now focuses her time on providing training for the media industry with an emphasis on those working in production. She has a Level 3 Train the Trainer qualification, a Level 3 Award in Education and Training contextualised to the screen industries and is a Level 3 qualified ILM Coach & Mentor.

How to apply

This session will take place online via Zoom. Click ‘apply now’ at the top of the page and follow the instructions to apply for your place: you must login or register before you are able to complete your application.

If you need additional support to complete your application or require the application form in an alternative format please contact USF@screenskills.com

Places on these free online courses are limited and applications are often highly competitive. To stand the best chance of securing a place, please be sure to consider the following:

• When asked to list your three most recent credits, please include the programme title and your job role
• When asked what you hope to gain from the course, please be concise but ensure you cover the specific elements of the topic you would like to gain knowledge of and what gaps in your skillset you believe the course may address
• A rewording of the course title or a general comment on career progression does not tell us much about how this course would benefit you

If you are no longer able to attend, we ask you to please use the 'decline ticket' function on the right hand side of the page so that we can release your place. Our sessions are often oversubscribed, so we’d like to give other freelancers the opportunity to fill available spots. Thank you for your consideration.

This session is supported by the ScreenSkills Unscripted TV Skills Fund which invests in training for the unscripted workforce thanks to contributions from broadcasters, SVoDs and production companies.

This course would normally cost participants to attend, but thanks to this support, we are able to offer it to you for free. If you fail to attend, we reserve the right to request reimbursement of costs, unless your place can be taken by someone else.